Monday, March 17, 2008
The Big Day...
It's been a busy busy last few months and tomorrow is the big day. Brighter Side will be in stores and online for your purchasing (and then listening) needs! A few entries back I said I would use this blog as a touring blog which, now half way through the Matt White tour, I have unsuccessfully followed through with. So what I decided to do is celebrate the release of the album by retiring this blog. I started this blog over the summer during the recording process and now that the album is out I feel this particular blog need no longer be! Not to say I won't be blogging anymore... I'll be back, no worries! You can still read blogs on myspace and facebook, etc...
So if you didn't follow this blog from start to finish I suggest you go back to the first entry and watch all the videos on making the album. Relive the magic!!
Anyway, thanks to everyone who plans to go buy the album tomorrow! WE DID IT, HURRAY!!!
-Brad
Monday, March 3, 2008
The Value of Music
The Value of Music
With music so easily accessible today, the value in music is dwindling. I can’t help but notice, from my own experience, that more and more people just aren’t buying music anymore. They either illegally download it or burn a copy of the CD from a friend. How this helps the artist I couldn’t possibly tell you, other than it “gets the word out” about them. As great as that is, once the “word is out” and you know about that artist, it is your responsibility to then purchase that music if you like it. The problem is the majority of people don’t. Even if they only like one song, the amount of 99 cents seems to be too much of a sacrifice for a song they could listen to forever.
A prime example would be my song “Better With You.” This song was featured in an episode of Laguna Beach in late 2004. The song was not available on iTunes yet when the show aired, so fans of the show turned to Limewire in order to find the song. What they ended up finding was a rough acoustic version of the song, which I recorded in my bedroom in 2003. This version of the song leaked out and unofficially became the known version of the song. From the artist’s view point, I can’t stand that that’s the version of “Better With You” people know. It was unfinished, sounds terrible, and I was unconfident in the song at the time, which I had every right to be because it was a demo for my own reference. But alas, somebody leaked it out to Limewire. Now that version is used on peoples personal YouTube videos, I can tell when guitarists cover it because they do the same exact count in as I did on the bedroom demo, and I’ve even come across it on wedding photographer’s websites.
So why is this a problem? Shouldn’t I be happy that my music is “out there.” Well, for one, the version that is out there I don’t even approve of, so no. Second, when I find that somebody has used that version of the song in their video it only tells me that they didn’t buy it, they just wanted to illegally download my music because it’s free that way. So, you get what you pay for. But in lies a problem. By doing this you strip yourself from being a true fan of music because you give it no value. You just ripped it off and look at it as a disposable product.
Music makes you feel things you could have never felt before. It’s a connection you will not get anywhere else. It mends relationships, ends relationships, and creates memories you’ll never forget for the rest of your life. But for some reason, in today’s society, that sentimentality isn’t even worth a dollar to most people.
Again, back to my song “Better With You” for an example. I came across a woman’s wedding photography website which had the song playing on her front page. Normally when people write me and ask if they can use a song for something, I give them the okay, so long as they just buy the song off iTunes or get the CD. When I was at this woman’s website I noticed the version of “Better With You” was that old crummy bedroom demo I disapprove of. Obviously she had illegally downloaded it. I took it upon myself to write her and let her know that I have no problem with her using the song on her website, but asked that she at least purchase the album version if she use it. Her response was that she would just go ahead and take it down from her site. So instead of investing a measly 99 cents into her business, she chose to just take the song down. I only found it fair that if she was to use my music to promote her own business, that if anything, paying for that one song wasn’t too much to ask. But no.
But that’s the way most people are. They will take the song and make it their own. Live through it and share it with others. But the moment you ask them to support the artist they shut off and close down. The artist becomes the bad guy, trust me, it’s happened to me before several times.
I am so fortunate to have made it this far in the music business, especially on my own, without a major label. But as my career builds and more people know about me, it becomes a balancing act of trying to maintain this career so I can keep doing it, and trying to get those that know about Five Times August to willingly support it the right way. By purchasing the music, not illegally downloading it, or burning a copy from a friend.
It’s a shock to me how important music is to our lives, yet, so many people take it for granted. They think they are “owed” it for some reason. We’ll make movies blockbusters, and athletes champions, but for a musician to truly rely on their listeners to come out to a concert or buy their albums, it’s a difficult task.
I’ll use sports even more so as an example. Thousands of people will pay high-dollar tickets to see their favorite sports team. Stadiums fill in every major football, basketball, baseball game. For a $12 nosebleed seat, or $150 seat on the sidelines, no price is too much to support your favorite team, yet, in the end how does it really affect the people who watch it other than giving them some excitement for a few hours?
Switch to a musician, where Kelly Clarkson had to cancel a stadium tour last year because she couldn’t sell enough tickets. This is a superstar musician who has had the utmost exposure on America’s most popular television show. You’d think that’d make a difference somewhat, but not for music. Most of you would respond to this with “Yeah, she was popular 6 years ago, there have been a million other Idols since then,” And that’s my point. Most people’s attention span with music lasts maybe a year or two until it’s on to the next popular song.
Others might argue “She’s got a million dollars, she doesn’t need my money.” But it all adds up. The same goes for unsigned artists like myself. Most people assume I have millions of dollars. I willingly admit I am far from having a million dollars in my bank account. In fact, I willingly admit that once my next record comes out I will be on my knees praying people buy it because I have invested enough money into this record that could put me in debt for a long long time. And that’s the honest truth. If my next record doesn’t sell, Five Times August goes on hiatus and I find myself a desk job.
So when you say “It’s just 99 cents, they don’t need it.” You not only kill the value of that song, you’re quickly killing the career of the person that wrote the song. There are so many artists out there that might be “on their way up,” but so many people illegally download their music they are actually struggling to hold on.
With that said. I can’t tell you to spend your money. You work hard for it too. But just as easily as you won’t spend 99 cents on a song, or $15 on a CD you can listen to as much as you want, whenever you want, you will spend $5 on a cup of coffee that’ll be gone in 10 minutes, $9.50 for a ticket to a movie that will be over in 2 hours, or even $35 on a t-shirt from Urban Outfitters that you could probably get at a thrift store for ¼ the price.
Simply put, it’s a job. Just as whatever you do for living is your job. You can’t make a living doing it if you’re not getting paid for it. No ifs ands or buts about it.
I want to wrap up this entry with my feelings on Limewire, because there seems to be a lot of confusion as to what “illegal” downloading means. I want to clear this up for anyone wondering the answer. Limewire, the program itself, is NOT illegal. When you share a file on Limewire, whether it be a movie, a song, or a picture, and you did not make it yourself and are sharing it without the consent of it’s creator, THAT is illegal file sharing. So to narrow it down a little more, I never gave anyone the right to share my music on Limewire, so when you download it, you ARE indeed breaking the law. Not only that, you are hurting my career.
But you might say “Brad, you should be grateful, I wouldn’t have known about you if not for Limewire.” And in some rare cases you might be right. I’ve gained some great fans out of Limewire that ended up buying my music later on. But I reiterate, it’s rare. The majority of people look at it as a way to get music for free, and that’s why I do not like it. If you are one of the people that use it as a tool to figure out if you like an artist before buying their music, I can understand that. But then again, what with myspace, ilike.com, purevolume, and even the 30 second samples on iTunes, why use Limewire anyway? Not only that, if you’ve taken the time to look at the official Five Times August website, you might’ve noticed full streams of every song available for your listening pleasure. But I digress…
Thank you for taking the time to read all of this. I’m hoping it made a difference to some of you. And please, if you disagree with anything I said, go back and read it again because it should really make sense by now. There is no reason for illegal downloading and it’s killing the value of music, and killing the careers of those that make it. That’s my point and there’s no arguing against it. It’s coming straight from the artists mouth.
-Brad
With music so easily accessible today, the value in music is dwindling. I can’t help but notice, from my own experience, that more and more people just aren’t buying music anymore. They either illegally download it or burn a copy of the CD from a friend. How this helps the artist I couldn’t possibly tell you, other than it “gets the word out” about them. As great as that is, once the “word is out” and you know about that artist, it is your responsibility to then purchase that music if you like it. The problem is the majority of people don’t. Even if they only like one song, the amount of 99 cents seems to be too much of a sacrifice for a song they could listen to forever.
A prime example would be my song “Better With You.” This song was featured in an episode of Laguna Beach in late 2004. The song was not available on iTunes yet when the show aired, so fans of the show turned to Limewire in order to find the song. What they ended up finding was a rough acoustic version of the song, which I recorded in my bedroom in 2003. This version of the song leaked out and unofficially became the known version of the song. From the artist’s view point, I can’t stand that that’s the version of “Better With You” people know. It was unfinished, sounds terrible, and I was unconfident in the song at the time, which I had every right to be because it was a demo for my own reference. But alas, somebody leaked it out to Limewire. Now that version is used on peoples personal YouTube videos, I can tell when guitarists cover it because they do the same exact count in as I did on the bedroom demo, and I’ve even come across it on wedding photographer’s websites.
So why is this a problem? Shouldn’t I be happy that my music is “out there.” Well, for one, the version that is out there I don’t even approve of, so no. Second, when I find that somebody has used that version of the song in their video it only tells me that they didn’t buy it, they just wanted to illegally download my music because it’s free that way. So, you get what you pay for. But in lies a problem. By doing this you strip yourself from being a true fan of music because you give it no value. You just ripped it off and look at it as a disposable product.
Music makes you feel things you could have never felt before. It’s a connection you will not get anywhere else. It mends relationships, ends relationships, and creates memories you’ll never forget for the rest of your life. But for some reason, in today’s society, that sentimentality isn’t even worth a dollar to most people.
Again, back to my song “Better With You” for an example. I came across a woman’s wedding photography website which had the song playing on her front page. Normally when people write me and ask if they can use a song for something, I give them the okay, so long as they just buy the song off iTunes or get the CD. When I was at this woman’s website I noticed the version of “Better With You” was that old crummy bedroom demo I disapprove of. Obviously she had illegally downloaded it. I took it upon myself to write her and let her know that I have no problem with her using the song on her website, but asked that she at least purchase the album version if she use it. Her response was that she would just go ahead and take it down from her site. So instead of investing a measly 99 cents into her business, she chose to just take the song down. I only found it fair that if she was to use my music to promote her own business, that if anything, paying for that one song wasn’t too much to ask. But no.
But that’s the way most people are. They will take the song and make it their own. Live through it and share it with others. But the moment you ask them to support the artist they shut off and close down. The artist becomes the bad guy, trust me, it’s happened to me before several times.
I am so fortunate to have made it this far in the music business, especially on my own, without a major label. But as my career builds and more people know about me, it becomes a balancing act of trying to maintain this career so I can keep doing it, and trying to get those that know about Five Times August to willingly support it the right way. By purchasing the music, not illegally downloading it, or burning a copy from a friend.
It’s a shock to me how important music is to our lives, yet, so many people take it for granted. They think they are “owed” it for some reason. We’ll make movies blockbusters, and athletes champions, but for a musician to truly rely on their listeners to come out to a concert or buy their albums, it’s a difficult task.
I’ll use sports even more so as an example. Thousands of people will pay high-dollar tickets to see their favorite sports team. Stadiums fill in every major football, basketball, baseball game. For a $12 nosebleed seat, or $150 seat on the sidelines, no price is too much to support your favorite team, yet, in the end how does it really affect the people who watch it other than giving them some excitement for a few hours?
Switch to a musician, where Kelly Clarkson had to cancel a stadium tour last year because she couldn’t sell enough tickets. This is a superstar musician who has had the utmost exposure on America’s most popular television show. You’d think that’d make a difference somewhat, but not for music. Most of you would respond to this with “Yeah, she was popular 6 years ago, there have been a million other Idols since then,” And that’s my point. Most people’s attention span with music lasts maybe a year or two until it’s on to the next popular song.
Others might argue “She’s got a million dollars, she doesn’t need my money.” But it all adds up. The same goes for unsigned artists like myself. Most people assume I have millions of dollars. I willingly admit I am far from having a million dollars in my bank account. In fact, I willingly admit that once my next record comes out I will be on my knees praying people buy it because I have invested enough money into this record that could put me in debt for a long long time. And that’s the honest truth. If my next record doesn’t sell, Five Times August goes on hiatus and I find myself a desk job.
So when you say “It’s just 99 cents, they don’t need it.” You not only kill the value of that song, you’re quickly killing the career of the person that wrote the song. There are so many artists out there that might be “on their way up,” but so many people illegally download their music they are actually struggling to hold on.
With that said. I can’t tell you to spend your money. You work hard for it too. But just as easily as you won’t spend 99 cents on a song, or $15 on a CD you can listen to as much as you want, whenever you want, you will spend $5 on a cup of coffee that’ll be gone in 10 minutes, $9.50 for a ticket to a movie that will be over in 2 hours, or even $35 on a t-shirt from Urban Outfitters that you could probably get at a thrift store for ¼ the price.
Simply put, it’s a job. Just as whatever you do for living is your job. You can’t make a living doing it if you’re not getting paid for it. No ifs ands or buts about it.
I want to wrap up this entry with my feelings on Limewire, because there seems to be a lot of confusion as to what “illegal” downloading means. I want to clear this up for anyone wondering the answer. Limewire, the program itself, is NOT illegal. When you share a file on Limewire, whether it be a movie, a song, or a picture, and you did not make it yourself and are sharing it without the consent of it’s creator, THAT is illegal file sharing. So to narrow it down a little more, I never gave anyone the right to share my music on Limewire, so when you download it, you ARE indeed breaking the law. Not only that, you are hurting my career.
But you might say “Brad, you should be grateful, I wouldn’t have known about you if not for Limewire.” And in some rare cases you might be right. I’ve gained some great fans out of Limewire that ended up buying my music later on. But I reiterate, it’s rare. The majority of people look at it as a way to get music for free, and that’s why I do not like it. If you are one of the people that use it as a tool to figure out if you like an artist before buying their music, I can understand that. But then again, what with myspace, ilike.com, purevolume, and even the 30 second samples on iTunes, why use Limewire anyway? Not only that, if you’ve taken the time to look at the official Five Times August website, you might’ve noticed full streams of every song available for your listening pleasure. But I digress…
Thank you for taking the time to read all of this. I’m hoping it made a difference to some of you. And please, if you disagree with anything I said, go back and read it again because it should really make sense by now. There is no reason for illegal downloading and it’s killing the value of music, and killing the careers of those that make it. That’s my point and there’s no arguing against it. It’s coming straight from the artists mouth.
-Brad
Friday, February 8, 2008
the coolest thing I've done in my career so far...
Last night I had the great honor and privilege to record in the historic Sun Studio in Memphis, TN. If you're not familiar with what this place is, it's pretty much the birth place of rock and roll. This was where Elvis made his first record. This was where Johnny Cash, Carl Perkins, and Jerry Lee Lewis all got their start. U2 recorded part of Rattle and Hum here, with Bob Dylan and B.B. King even taking part on the album. Great Balls of Fire was recorded hear for crying out loud! So to be in this studio and actually get to record here was quite an experience, especially right after taking the tour.
I visited Sun Studio as a regular tourist a little over a year ago and took the tour. But, to follow up the tour this time with "okay, your turn" was very intimidating. Known for giving music legends their start, Sun Studio is getting back to what they do best with a program called "Sun Studio Sessions" where they invite up and coming musicians and bands to record a session while they video it. It will air online later this year and hopefully expand to an actual televised program. They were nice enough to let me invite a select number of fans in to watch my own session take place, which gave it a nice "playing for friends in a living room" feel, except it was Elvis and Johnny Cash's living room...
It's hard for me to explain how cool and amazing it was to have not only played, but recorded in that room. I should explain to you that without this studio popular music would not be what it is today. Without Elvis there would have not been The Beatles, and without the Beatles... well... enough said. So to be part of that history is overwhelming. I'm excited for you all to see the show.
Everyone who works at Sun is amazingly nice and made it so much more of experience than I could have ever expected. You can tell they all take much pride in working there, and why shouldn't they?? But it was awesome to work with such a real group of people that actually understand what the music industry SHOULD be. They get it, and I'm so glad to have made new friends with them.
I played a lot of new songs and a few oldies. For anyone interested, here was my set...
Giving It All To You
The Good Life
Do It Again
Wherever
Here
Sentimental Spell
Surface
Beautiful Girls
The Lighting
Better With You
Up To Me
Audience of Zero
In short, that was my experience. I'm still soaking it all in. I will have exclusive video and photos for you soon.
In the meantime, go listen to the first Elvis record, go listen to early Johnny Cash, go listen to Rattle and Hum (tracks 10-13). Do yourself a favor and go visit the Sun Studio website and learn about this place.
- Brad
Tuesday, February 5, 2008
Touring and such...
Starting in March I will be using this blog as a touring blog as "hitting the road" seems to be the next phase of the record release. It's been very hard having things to report since finishing the album in the studio so I figure what better way to keep in touch with everyone than by notes from the road? Not that I haven't been busy, but almost too busy to keep up with all the preparation for releasing the record. I will be hitting the road in March supporting Geffen Records recording artist Matt White. I'm looking forward to meeting him and being back out on the road in support of the new album. I will most likely be on the road the rest of the year so there will be plenty to blog about and let you in on.
So until then, please keep promoting the new single "The Good Life" to your friends and call and request the single to you favorite local radio stations. See you soon!!
Brad from Athens, OH
So until then, please keep promoting the new single "The Good Life" to your friends and call and request the single to you favorite local radio stations. See you soon!!
Brad from Athens, OH
Monday, January 28, 2008
Saturday, December 8, 2007
"The Good Life" single & video
January 15th will be the release date for the digital single "The Good Life." Technically this will be the very first 'true' single Five Times August has released. This means there will actually be some real promotion behind it. It is the song we're going to push in hopes of getting some real radio play and I'll even be making a music video (something I've never done before). It's exciting and I hope you climb on board in helping promote the new record. You should check out the new FTA i-squad - it's important for you to join!
Kelly and I will be heading out to LA on the 16th to shoot the video on the 17th. We'll be working with a great new director Evan Lane who just did Stephen Kellogg & the Sixers new video for "Sweetest Goodbye." We have a pretty cool concept going for the video but I'm not going to spoil it, you'll just have to wait and see!
And now a "Brighter Side" timeline check in...
6 months since I started recording the album
4 months since the record was mixed
3 months since the record was mastered
1 month since the first single was released - "Overrated"
1 month until the REAL first single is released - "The Good Life"
3 months until the album is released
Are you ready for this record to come out yet? 'Cause I am!
Happy Holidays to you,
Brad
Monday, November 12, 2007
"Brighter Side" - Preview Bio
Five Times August, a name with a reputation as one of the most important commodities in the music industry’s new business model for up and coming artists. The completely unsigned solo project of 24 year old Dallas, Texas native Brad Skistimas returns with the new album “Brighter Side.” After selling over 100,000 digital downloads without a record label, getting 18 song placements from one album on various popular television programs, and becoming the first unsigned act sold in Wal-Mart stores nationwide, one can only wonder what Five Times August will accomplish next.
With “Brighter Side,” Skistimas has crafted an album of balance. Relatable catchy pop tunes without the overly produced sound that invades today’s Top 40 market. The music is real and each song is its own. In the midst of an industry looking for one novelty hit after another, “Brighter Side” proves to have quality and charm. It’s not just another album with two polished hit songs and ten okay fillers. This album throws away the standard formula of co-writer after co-writer, heavily produced studio tricks, and keeping to a genre specific theme.
At the core you will find, simply, a songwriter with an acoustic guitar. Skistimas blends these acoustic pop arrangements with flavorful hints of roots, country, rock and even punk at times. The mellow “Who You Are” will appeal to fans of Norah Jones or Ryan Adams, while the rebelious rocker “Overrated” might pull in fans of Fall Out Boy or Green Day. The nineties-esque “One Way Road” reminisces that of Matchbox 20 or Hootie and the Blowfish while the blue-collar anthem “The Lighting” reflects the heavy electric guitars of Oasis. From start to finish the album takes you on a journey equivalent to a mix tape featuring a compilation of artists.
And it’s no wonder “Brighter Side” has a sound all it’s own, considering the team that helped Brad put it all together. Recorded in Dallas at Bass Propulsion Laboratories, it was produced by the studio’s owners, brothers Todd and Toby Pipes (Deep Blue Something, Drowning Pool, Flickerstick). At the recommendation of the Pipes Bros, Skistimas recruited local studio musicians for most of the instrumentation, but also took it upon himself to invite former Vertical Horizon drummer Ed Toth to provide a solid backbeat for the record.
“Since Five Times August is a solo project I have the freedom to bring in a variety of players to fit each album.” Skistimas says. “It’s great because those different inputs provide a level of comfort in knowing my sound will never get repetitive from one record to the next. It’s like forming a new band each time around.”
In addition to recording at BPL Studios, Skistimas had the album mixed by Grammy Award Winner Andy Zulla (Rod Stewart, Kelly Clarkson, Jessica Simpson).
Five Times August wrapped up an extensive college tour in 2007, traveling 8 months out of the year, visiting 43 of the 50 states, and plans to start the whole thing up again in 2008 to support the release of “Brighter Side.” This time around FTA will be releasing the album with the help of Croshal Entertainment Group, a virtual label based out of LA.
“I figured if I accomplished what I did with my last album by mainly word of mouth and almost no promotion behind it there’s no telling what can happen if I actually give myself a marketing fund this time around!” Skistimas proclaims. “The great thing about working with CEG is that I’m still unsigned and in control of my own image and music, but will still get the attention that many major label releases receive.”
While Skistimas continues to break barriers as an unsigned artist, the music industry should prepare itself for a new breed of music and marketing upon the release of Five Times August’s upcoming release. “Brighter Side” will be in stores nationwide in March 2008.
With “Brighter Side,” Skistimas has crafted an album of balance. Relatable catchy pop tunes without the overly produced sound that invades today’s Top 40 market. The music is real and each song is its own. In the midst of an industry looking for one novelty hit after another, “Brighter Side” proves to have quality and charm. It’s not just another album with two polished hit songs and ten okay fillers. This album throws away the standard formula of co-writer after co-writer, heavily produced studio tricks, and keeping to a genre specific theme.
At the core you will find, simply, a songwriter with an acoustic guitar. Skistimas blends these acoustic pop arrangements with flavorful hints of roots, country, rock and even punk at times. The mellow “Who You Are” will appeal to fans of Norah Jones or Ryan Adams, while the rebelious rocker “Overrated” might pull in fans of Fall Out Boy or Green Day. The nineties-esque “One Way Road” reminisces that of Matchbox 20 or Hootie and the Blowfish while the blue-collar anthem “The Lighting” reflects the heavy electric guitars of Oasis. From start to finish the album takes you on a journey equivalent to a mix tape featuring a compilation of artists.
And it’s no wonder “Brighter Side” has a sound all it’s own, considering the team that helped Brad put it all together. Recorded in Dallas at Bass Propulsion Laboratories, it was produced by the studio’s owners, brothers Todd and Toby Pipes (Deep Blue Something, Drowning Pool, Flickerstick). At the recommendation of the Pipes Bros, Skistimas recruited local studio musicians for most of the instrumentation, but also took it upon himself to invite former Vertical Horizon drummer Ed Toth to provide a solid backbeat for the record.
“Since Five Times August is a solo project I have the freedom to bring in a variety of players to fit each album.” Skistimas says. “It’s great because those different inputs provide a level of comfort in knowing my sound will never get repetitive from one record to the next. It’s like forming a new band each time around.”
In addition to recording at BPL Studios, Skistimas had the album mixed by Grammy Award Winner Andy Zulla (Rod Stewart, Kelly Clarkson, Jessica Simpson).
Five Times August wrapped up an extensive college tour in 2007, traveling 8 months out of the year, visiting 43 of the 50 states, and plans to start the whole thing up again in 2008 to support the release of “Brighter Side.” This time around FTA will be releasing the album with the help of Croshal Entertainment Group, a virtual label based out of LA.
“I figured if I accomplished what I did with my last album by mainly word of mouth and almost no promotion behind it there’s no telling what can happen if I actually give myself a marketing fund this time around!” Skistimas proclaims. “The great thing about working with CEG is that I’m still unsigned and in control of my own image and music, but will still get the attention that many major label releases receive.”
While Skistimas continues to break barriers as an unsigned artist, the music industry should prepare itself for a new breed of music and marketing upon the release of Five Times August’s upcoming release. “Brighter Side” will be in stores nationwide in March 2008.
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